even more hipstamatic photography

These shots were also taken in and around Docklands, Melbourne. 

I quite like ‘banking’ as the ‘Shoal Fly By’ sculpture in front of the National Australia Bank office says something about order, disarray, and keeping it all together. 

‘fish’ is a photo taken of one of the Melbourne Commonwealth Games fish that paraded/floated down the Yarra River during the games’ opening ceremony.  It is now on a plinth sandwiched between two towers on the river’s northbank.

more hipstamatic photography

These shots were taken in and around Docklands, Melbourne.  Like yesterday’s photos, they attempt double-art.  They are ‘artistic’ photographs of art.  Whilst Melbourne isn’t Florence (sorry for stating the obvious), there is a huge amount of art in our streets, buildings, bridges, and other public spaces. 

Look around, and don’t forget to look up!

is this art? more hipstamatic photography

I am still really enjoying the Hipstamatic app.  I haven’t quite worked out which lens/film/flash combinations I like best, but I’m getting a lot of practice!

In my last post on the subject of Hipstamatic photography, ‘anonymous’ posted an interesting comment –

“I’ve just bought Hipstamatic myself – it definitely has some great filters and you get some really nice results from the post processing (aka ‘developing’). But is it art? I’m not really sure. It’s the same as Photoshop really; how much do you have to edit/change a photograph before it turns into something it isn’t? Photography is supposed to be raw, candid and evoke feeling. It’s supposed to be about being at the right place with impeccable timing. If this app can make it so easy for anyone to take a ‘good’ photo then the true passion behind photography is almost lost…”

I think that there will always be a debate between the artistic merits of analogue vs digital; especially when a digital solution (e.g. Hipstamatic) does 90% of the work for you. 

I don’t strongly sit on either side of this fence as I find the debate too interesting to pick a side.  I’m sure that painters, drawers, and sculptors poo-poo’d photography when it was first invented; arguing that was absolutely no art in pointing and shooting a machine to capture a ‘picture’.

Fast-forward 200 years, and we’re now debating the artistic merit of new technologies.  Regardless of the side that you take in this debate, there is no debating one common factor… a person (artist or not) needs to be involved somewhere within the process.  Whether they frame a shot; use technology to get the outcome they want; or program the technology to get the outcome someone else wants, people are always involved. 

The real question then becomes, to what extent are they involved in the artistic process?

creativity and commerciality – the original love/hate relationship

Today’s post is a guest post written by none other than Samantha Hardman – the head designer behind the clothing label Bento. Like me, she too gave up a lucrative career to pursue her dream (her background is in marketing). Via her blog, Backstage At Bento (www.backstageatbento.com) she blogs about the journey of going from working in senior management for a major bank to making her way in the fashion industry with next to no experience. Oh… and in case you’re wondering, yes – there is a relation – she’s my wife!

For many creative people, it’s a dream to be able to make something from their passion. Whether it’s film, fashion, acting, painting, illustrating, modeling, music or something else entirely the goal is often the same – to be able to sustain yourself so that you can be immersed in what you love on a full time basis. The real bummer of course is that all these industries are notoriously hard to break into and in many cases excellence is subjective. For instance, what some people consider art worthy of a six figure price tag and the most prominent position in a prestigious gallery, many of us know we would have been failed for turning in as a work in art school.

In every category of creative pursuits, there is an example of someone who does things their own way and is ridiculously (commercially and critically) successful for it. For the majority though, success in a commercial sense comes down to just knowing what your market wants. Sometimes what you want and what your customer wants will be the same thing. Sometimes they’ll be worlds apart. Often, it’s just necessary to look for an overlap.

I’ve met many creative people over the years that seem to consider commerciality (and reality) to be the enemy of creativity. Conversely, I find them to be the source of creativity. For example in fashion terms, to me anyone can dream up something that has no consideration for sizing, climate, cost, durability, care, fabric availability, hanger appeal and wearability. Where’s the challenge in that? It takes vision, skill and a certain type of person to be able to create something beautiful that takes into account the multitude of factors at play when a customer is not only selecting a garment, but then also becomes an ongoing advocate of your work.

The same can be said for the visual arts. When visiting Italy mid last year, our little travelling posse stumbled into an exhibition featuring photos, paintings, drawings and film around a central theme of contradiction. Noises of people being tortured dubbed over cutesy cartoons and images of pigs being slaughtered to sing-song lyrics were played in dark basement rooms not unlike something you’d expect to see in Guantanamo bay. The pieces in the exhibition were all for sale. Now if I put my uber trendy artsy type hat on, I might review this as an interesting juxtaposition of the best and worst parts of the world or some interesting social commentary about the disparity between positive and negative influences on the youngest generation in society.

But really, if I consider that exhibition as your average consumer (and a marketer) it was actually just very creepy and slightly weird self-indulgent rubbish.

I’m not for an instant suggesting that this sort of work doesn’t have a place in the world. It absolutely does. But in terms of that artist enjoying a financially successful career? Not so great.

This does not mean that you become a sellout. Commercial success, I’d suggest, comes from an artist (designer, illustrator, film maker, etc.) considering who their audience is and then attempting to create work that meet their needs in the artist’s unique way.  

So go forth and capture the world in your own particular way… just think about how (and by who) it will be used. If you want to make any money from it, that is.

exhibit for free – calling all artists

In my post on 15 January (houston, we have a problem pt.2) I mentioned that I was developing some creative ways to deal with the planning application hurdles and the impending delays to being able to open the gallery to the public.

I’m keen to turn my negative experiences into positive ones, especially for the emerging artists whose work I hope to exhibit.  So, here is the first creative concept that I have come up with… free online exhibitions.  Yes, free.

Calling all artists… painters, drawers, photographers, sculptors, fashion designers, print makers, etc.

Exhibit your artwork on one hundredth gallery’s website for free.  Yes, free.   Between 1 February and 30 April 2011, I will exhibit up to ten of your artworks on 100thgallery.com for free.  

For a grand total of $0.00, you will get – 

  • Your own page on 100thgallery.com with a brief bio and up to ten of your works displayed for 4 weeks
  • A blog post (written by you and I) on your collection and your work
  • Links from 100thgallery to your website and your contact details so that potential buyers can contact you directly
  • Promotion via the 100thgallery facebook fan page and 100thgallery twitter account

Why am I doing this?

Due to the unforeseen planning application process, it is unlikely that I will be able to open 49 Porter Street Prahran as 100thgallery to the public before May 2011.  Rather than letting this hurdle get in my way, I’d like to keep moving forward with my mission and vision to exhibit emerging artists.

Also, I hope that the artists who exhibit in the 100thgallery online gallery may one day exhibit in the physical premises when it opens; however there is absolutely no obligation to do so.

What do you have to do? 

  • Email me at charles@100thgallery.com with –
  • A short bio of around 200-300 words
  • Photos of up to 10 of your artworks (up to 500KB each)
  • A description of each artwork (title, dimensions in mm, mediums used, price)
  • Your email contact details and your website address if you have one
  • Your location (in Australia) and whether you will mail Australia wide

Fine Print

  • There is no fine-print other than I’ll probably limit this offer to 100 artists with a preference towards aspiring and emerging artists.
  • Oh, and I will reserve the right to exhibit or not exhibit work.  For example, if an aspiring artist wants me to exhibit a stick-person drawing done on toilet paper for $10,000, then I may decline.  Unless it is really really really good.

I think that is about it. 

Emerging artists… start or continue your CV’s here! 

I look forward to hearing from you.

planning permit progress pt.1

As you know, I submitted my planning permit application into the council on Monday.  Thankfully, I received a ‘receipt of application’ on Wednesday.  The receipt also had the details of the ‘planner’ that will be assessing my application.

If deemed necessary by the planner, I will need to advertise my application to ‘surrounding’ residents and owners by mail.  ‘Surrounding’ isn’t defined and I found out that this process could cost thousands of dollars as there are heaps of apartments in the Prahran area.

So, I contacted my planner to ask them if I could manage the ‘advertising’ process.  This is the email trail…

Good Morning,

Thank you for your receipt of my application.

If my application needs to be advertised to neighbours, may I be given the opportunity to conduct the printing, enveloping, and mailing of the notice so that I may best control my costs associated with this exercise?

Thank you,

Charles.

Hi Charles,

Please see below.

Hiya

as they have requested this within the appropriate timeframe – we will have to allow it.  we normally still charge the administration fee for preparing the letters & list etc as that is done on our letterhead but the mailing costs etc would be bourne by the applicant and they need to provide us with evidence of the postage ie receipt from Australia Post showing the number of letters etc.  Also they would still pay us for the sign, if required.

minimum costs (incl GST) for this service would be

$82.50 – no sign

$110.00 – incl sign

thanks

One of the primary reasons that I keep this blog is to document my journey, and my progress.   I hope that it provides some sort of insight and/or entertainment; and hope that some of the lessons I learn here can be used by others who are starting their own businesses.

The simple lesson that I have learned from the above is that the planning application process is as much as about revenue for the council as anything else.  If you’re working with councils, ask as many questions as you can and do everything you can to control your costs!

calling australia’s top photographers

Do you know a photographer that is so good, that they deserve a prize?

Are you a photographer whose work is so good, that you deserve a prize?

Nominations for the 2011 Australia’s Top Photographers Awards are now open.  There are multiple categories and nominations close on 8 February 2011.  Further details can be found here. 

In line with one hundredth gallery’s philosophy of promoting emerging artists, there is also Emerging Photographer of the Year awards up for grabs in eleven different categories. 

  • Advertising
  • Architecture
  • Editorial
  • Fashion
  • Industrial/Corporate
  • Landscape
  • Photojournalism/Documentary
  • Portrait
  • Sport
  • Travel
  • Wedding

The Emerging Photographer of the Year award recognises, encourages, and promotes talented young Australian photographers in the early stages of their careers.   To find out more information, please click here.  

© Copyright Yaffa Publishing Group

cézanne’s birthday by google

It’s Paul Cézanne’s birthday today and the very clever people at Google have done this to celebrate.  They have some great artists there… I wonder if they would like to exhibit in one hundredth gallery? 🙂

© Copyright Google

ArtStart grants of up to $10,000…

If you are a recent graduate or a final year student in any of the creative arts, then you should definitely check this website out! 

The Australia Council for the Arts are offering ArtStart grants that could provide you with up to $10,000 to help get your arts career on its way.  The Australia Council makes 200 grants available each year. 

Check out http://www.artstartgrant.com.au/ for more information and to apply, and make 2011 your year to express, impress, and inspire!

Please use the facebook and/or twitter buttons below to share this post with your friends and followers.

© Copyright Australia Council for the Arts

wish me luck!

I have completed my application for a planning permit and will be submitting it today.  The process from here looks something like this –

  1. The council will assess the application to see if anything is missing or if they require further clarification (1 month)
  2. The council will mail all of the residents in the local area that this application may affect (1 month)
  3. We’ll address any objections and hopefully the permit will be issued (1 month) 

Whilst this application is being assessed, I will use 49 Porter Street Prahran under its current permit as an office for my emerging art business. 

Let the clock start now!