houston, we have a problem pt.2

I have finally got my head around this whole planning permit application process.  I don’t like it, and I think it is a huge waste of time, but I have my head around it.

As all planning applications are public documents, it was easy enough for me to access applications that other galleries have lodged in the past.  It took two days, but the planning officer at the City of Stonnington dug them out of the archives for me.  This has been helpful for 2 reasons –

  1. I was able to see the errors and omissions on those applications and the areas where the council required additional information.  Hopefully this will ensure that my application can be ‘complete and correct’ the first time
  2. I was able to see the timeframes between the initial application and the approval of the permit.  In one case it was three months and in the other, four.

I’ve stopped stressing about these timeframes as we are developing some creative ways to deal with these hurdles.  Necessity is the mother of invention, so we’re getting inventive.  Watch this space for further details…

delays, delays, and more delays

Before I start this post, please let me apologise to all those people (artists in particular) that were expecting a late Jan / early Feb opening.  I now know that this is not going to happen.

As reported yesterday, I need to submit a planning application to the council so that I may use the property as a gallery.

In addition to the delays that this process will cause, my little 50sqm gallery space is not registering as important to the tradespeople whose help I need to get it ready.  Some tradies are even putting in unrealistic quotes because ‘…this job is too small to be worth my while’.  That is their exact wording. 

As all other jobs are dependent on it, the very first job that I need done is the floor.  I have ripped up all of the carpet and underlay to reveal the concrete slab.  The concrete needs to be ground back so that all marks are removed and so the surface is as flat s it can be.  Once that is done, two coats of clear polyurethane are put down to give it a glossy look.

Annoyingly, it has taken 9 days to get someone in to quote and the earliest that they can start the job is 26 Jan.  The job takes 3 days to do and 2 days to dry… and if you’re interested $3300 to complete.

This means that all other jobs need to be put on hold until 1 Feb.  Wall Installation, Painting, Hanging System, Lighting.  All on hold until after the floors are done.

So depending on the council, I think the earliest opening date is now the end of February.  The positive in all of this is it gives our artists (and me) an extra month to produce some more work!

houston, we have a problem

I have had an action item on my ‘to do list’ for a couple of months now.  An action item which wasn’t prioritised due to the fact that I didn’t think it was going to be a big deal.  An action item which I thought was a ‘nice to do’ rather than a ‘must do’.  I couldn’t have been more wrong…

I met with the council today.  I was in the area so I moseyed on in to meet and greet my local representatives.  Actually, my intention was to set up an appointment to discuss all of the things that I needed to know about setting up a business in the City of Stonnington.

I was quickly referred to talk to the people ‘across the hall’, the people in ‘P-L-A-N-N-I-N-G’.  *gulp*

To cut what is becoming a long story into a short one, the property in which I intend to open the gallery currently has a council-issued ‘permit’ to be used as an office.  If I want to change that (which I do), then I need to apply to the council for a new permit.   The worst things about this process are

  1. the application costs $502;
  2. the process represents a significant amount of work; and
  3. it may take months to be approved (if at all). 

I have also subsequently found out that I cannot serve any alcohol at the gallery opening nights (even though it will be handed out for free) without a ‘Limited Liquor License’.  Looks like I have some ‘applying’ to do.

Until the new permit is approved, I will still be able to use the property as an office to exhibit and sell art, however I won’t be able to have ‘opening hours’ nor ‘opening nights’ and all viewings will need to be done by appointment… not the most effective way to exhbit emerging artists!

Friends, family, artists, followers, this is just another small speed hump on our journey; we will get there!

deconstruction and reconstruction pt.2

Unfortunately, Mr eBay Bargain Hunter did not show up on Monday to remove and collect the internal glass dividing wall and the carpet.

He did however show up yesterday, an hour and a half late and on his own.  I’m not sure how he thought he was going to move over 300kg of glass and over 200kg of carpet on his own; but full credit to him for forcing me into some serious manual labour.  For a grand total of $165.00, this guy got himself over $4000 of goods and an assistant for 4 hours.  Sucker…

As the photos will show, we have turned a neat and tidy useable space into a (an ugly duckling) blank canvas construction zone.  We now have 19 days to turn this space into a swan.

deconstruction and reconstruction

The deconstruction and reconstruction of 49 Porter Street continues today.  Provided the guy from eBay shows up, we will remove the internal glass dividing wall and all of the carpet, leaving us with a blank canvas on which we can start constructing the gallery and art space.

With three weeks left in January, things are still looking good for an end-Jan, start-Feb opening.

is this art? hipstamatic photography?

I really enjoy photography.  I’m not sure that I’m actually any good at it, but I do enjoy it.

I used to shoot on a Canon EOS500, then a Kodak LS633, then a Canon IXUS60 and now have a Canon 1000D.  I don’t mind admitting that I don’t know how to use photoshop, so when I want to get creative I use my (all manual plastic) Holga and for more immediate artistic gratification, Hipstamatic on my iPhone.

Holgas and Hipstamatic are great, because you’re never quite sure of what the output is going to be.

My question is this… are photos taken with Hipstamatic art?  Do Hipstamatic proofs have any place in a gallery?

Comments are now open!

what will we exhibit? what is art?

One hundredth gallery wants to exhibit talent in all of its forms.  When open, we will provide a space for talented people to exhibit their creations, whatever those creations may be.  One hundredth gallery will be an ‘art space’ for creative people; not just a gallery.

So before we become pigeonholed as a traditional art gallery, please let me outline what I would like to see in our art space during the next 12 months…

  • Fashion.  One hundredth gallery will be ideal for showcasing new designs, new collections, and new ideas in couture or wearable art.
  • Jewellery makers and craftspeople.  Exhibit your new work and launch your new collections to the public and to commercial buyers alike.
  • Music.  I would love for both traditional and experimental musicians to use the space to launch new sounds, compositions, and lyrics.
  • Literature/Poetry.  Poets, authors, writers.  Come one; come all to launch your new short story, book, or essay, and/or to conduct readings of your own work.
  • Film.  Writers, producers, directors… the art space can be set up with projectors to display your moving images.
  • Dance.  Not sure if we will have enough space, but we’re willing to give it a go!
  • Street art. Put your talent on display with the aim of signing commissioned work.
  • Etc.

One hundredth gallery aims to be a part of the process that enables creative people to make their work/art public. 

One hundredth gallery will of course exhibit all traditional forms of art as well… painting, drawing, printmaking, sculpture, installation, photography etc.

If you haven’t already, please get in contact (charles@100thgallery.com)  to exhibit your art in one hundredth gallery’s art space in 2011.

the greatest gift to an artist is

It was one of the greatest gifts I ever received.  A gift that was so thoughtful that I never saw it coming.  A gift that was so well coordinated, that I whilst I didn’t need to do much, I got so much out of it.

It was for my 27th birthday.  A group of four close friends secretly got together to gift me my dream.  I was stunned, humbled, and thrilled.  I am still stunned, humbled, and thrilled!

They knew that I had ‘parked’ my art in favour of the corporate life; but they also knew that my desire to paint, draw, print and exhibit was still running hot.  I had just turned out a new oil pastel series and the works were randomly hanging around the house.  Hanging around for no one to see… just like the 80+ pieces of art that came before it. 

And so, my close friends secretly worked on gifting me my dream.  My dream of a solo public exhibition. 

They organised the space, the grand opening party, a real estate board promoting the exhibition in one of Kensington’s busiest intersections, newspaper ads, and weekly full-page display ads in the local real estate agent’s magazine.

This was the greatest gift that they could give to an (aspiring) artist, and something that I will always be very thankful for.

Something clicked in me that day.  I didn’t quite know what it was at the time but a seed was planted.  A seed that would grow into an idea that would form a concept that would develop into the one hundredth gallery.

The one hundredth gallery aims to give the dream of ‘exhibition’ to all artists.

If you have a friend, relative, or anyone special who is aspiring, emerging or established in their art, why not gift them their dream.  ‘Exhibition Certificates’ for the nine walls within one hundredth gallery are now available.  Please see the ‘PRICING’ page for details and please email me at charles@100thgallery.com for further details and to place an order.

revised pricing

Now that we know that 100thgallery will be located at 49 Porter Street Prahran, I have been able to get into the space and measure it up.  This has allowed me to revise (and simplify) the pricing structure based on the walls that will be available. 

I now know that there will be a total of 9 walls of varying sizes available for artists to rent. 

Based on our revised modelling, one hundredth gallery’s pricing structure will now look something like this:

  • Rented wall space will be for about 2 weeks at a time (including move in and move out)
  • Each linear metre of wall space will cost $100 for about 2 weeks (the smallest wall is 1.5m or $150)
  • Artists can rent more than one wall but not less than one wall (unless artists coordinate for a wall to be shared)
  • There are 9 walls available for rent  | 1 x 1.5m | 1 x 2m | 1 x 2.6m | 1 x 3.0m | 2 x 3.5m | 3 x 3.6m
  • The whole gallery can be rented based on the prices quoted above
  • Sales commission will be 10% of selling price
  • All prices above are quoted ex-GST

This type of model turns ‘normal’ gallery pricing on its head and allows artists to better control the value of their work without losing 40% – 70% in commissions.

Artists will still need to submit the portfolio of work that they wish to exhibit for approval, and so that they can be scheduled with other ‘like’ artists. 

If you’re an artist (aspiring, emerging, established or otherwise), or if you know an artist that should be exhibiting then please get in touch via email on charles@100thgallery.com

100thgallery will also be selling gift vouchers so that friends and family of emerging and aspiring artists can encourage their art; but more on that later!